I’m reviewing this workout after doing it once.

Just a note: Christi introduces this as “Dance Fit.”

General workout breakdown: Denise and Marcy have already described this one so well there’s little for me to add except a few quick notes and a few fleshed out comments:
- I thought the pace was reasonable: not too fast, not too slow.
- I found some of the strength moves awkward, namely the superman and/or back leg lifts on the step (I followed the modifiers on the floor), the knee bends in the down dog leg lift series, and the core segment seated on the step (this series bothered my hip flexors and wrists).
- Overall this can be kept low impact and pivot-free, if that’s an issue for you, although there are a few twists, bounces, and hip action to be wary of if your knees are very sensitive to torque. Those with wrist issues should preview first and come up with alternatives for a few moves.

This is an “interval” workout in the CIA / Collage sense of intervals, namely alternating one style of exercise with another, especially cardio and weights. That said, Christi does mention changing your heart rate, bringing it down at some points but then bumping it up at others. Perhaps because this was my first time with this workout I didn’t find the changes to be dramatic enough to be true intervals for me (I was wearing my heart rate monitor, so this isn’t just going by perceived exertion), plus I sometimes found that when Christi said my heartrate should be soaring it wasn’t all that high and when she said it should be dropping it was staying pretty steady. At any rate, I agree this felt more like cardio work with weights added to boost the intensity rather than the full body strength training routine promised on the front cover, and I used it as such. Those who use this for strength training will find more endurance benefits than anything else, as this is definitely a lighter weights / higher reps kind of workout. You most likely won’t be going to fatigue, much less exhaustion or even failure. I can’t think of any body part that’s way overdone or underdone, although the arms get a lot of attention in the relative scheme of things. IMHO this is rather light on the legs, with very little weighted lower body work, but if you want you can really get into those lunges, squats, etc. (which may involve going slower than Christi) to get more out of the moves.

The moves here are pretty simple, and Christi gradually adds in variations or new steps. If you somehow don’t get something the first time around, don’t worry because you’ll have numerous opportunities to practice things with the multiple runthroughs. There is no TIFTing, or taking it from the top; once the song is over the moves are thrown away (although a number of the strength moves, like lunges, squats, biceps curls, and triceps kickbacks, appear multiple times).
In some ways this one is great for those who crave variety, because you’re doing something different every five minutes. That said, this can also get rather repetitive, because within that 5-minute song you may be doing the same thing or at least similar things many times. So this is a good one for days when you don’t want to have to think too hard but don’t want to settle for zoning out on an hour-long run; it’s not such a good one for days when you crave lots of intellectual stimulation (which some of Christi’s older step and hi/lo workouts can certainly provide!).

Level: I’d recommend this to intermediate through maybe intermediate / advanced exercisers with some familiarity with step and weights. You certainly don’t have to be a choreo hound or serious weights person to like this; in fact, you might find it more enjoyable if you’re not! Similarly, those who don’t consider themselves intensity junkies or high impact lovers may find this much more their speed.
I consider myself an intermediate / advanced exerciser, and this workout was a nice solid one for me: not particularly challenging, but not a light day workout, either. I love Christi’s hi/lo and step, but I’m not the biggest fan of much of her strength training segments, as some of them feel a little too different for the sake of being different to me, and unfortunately this had a few of those (I guess I’m a back to basics kind of gal at the moment).

Class: 4 women join Christi, who does the whole routine and instructs live. As mentioned, the 2 in the back (but positioned more toward the center so they’re almost always visible) stick with the basic versions in some cases to modify.

Music: The cover boasts of music by DJ Brian Howe and music styles ranging from hip hop and jazz to reggae and Latin to classical and Italian love songs. The upbeat music has a few instrumental tracks but has more vocal songs, most of which are pop-style happy love songs, and the distinction between styles isn’t all that dramatic, IMHO. I can’t say I recognized any of them except the “Dance of the Sugar Plum Fairy” on the synthesizer, however.

Set: the usual interior set for Christi’s latest productions: gauzy white curtains along a plain wall (here highlighted in green lights) with column-like thingies.

Production: clear picture and sound (although Christi’s microphone almost sounded a tad echo-y at first), usually helpful camera angles focused on showing the exercisers.

Equipment: step (Christi & co. use a Reebok step; I used my full-sized club step with one set of risers – the drawback to this one is the ridged top, which means if you also have this you might want to grab a towel or mat to place down for many of the strength moves) and at least one pair of dumbbells (I also used 5#; interestingly, as Marcy mentioned, Christi recommends 3-5#, but the back cover recommends 5-8#). Christi also recommends putting a pillow or towel on the step for the superman and leg lifts on the step, but honestly they’re more comfortable on the floor or lying the other way around on the step).
Oh, Christi and her crew appear to be wearing black weight lifting gloves (not weighted gloves, as it might seem at first glance). Those are definitely not necessary, unless your dumbbells are really rough or something.

Space Requirements: You’ll need space to work all along the step, especially behind the platform, but this doesn’t require much extra space beyond that.

DVD Notes: After a quick kind of blurry homemade-video introduction showing some behind the scenes-type stuff, the main menu pops up listing Play All, Play All with Music Only, Intro, all of the different “intervals” individually, and Credits.

Instructor Comments:
I agree that Christi cues well and mirror cues; it’s worth noting she cues well ahead of the move, which may take some getting used to if you normally work with instructors who cue on the move change. She has a positive, encouraging personality that’s not too perky, although she does sing some cues and sing along (which never bothers me, but I understand it drives some people up the wall). She’s comfortable in front of the camera but still professional, as always.

KathAL79